WET BANDITS

Industry: Music / Entertainment

Role: Freelance Graphic Designer & Illustrator, Art Director.

Deliverables: Album Artwork, Single Artwork, Vinyl Packaging, Merch Design, + Tour Poster.

Timeline: 2024 / 2026

For Wet Bandits' Bad Tattoos & Weathermen album campaign, I led the visual direction across artwork, merchandise, packaging, and promotional assets, creating a surreal illustrated world that unfolded throughout the release.

The project began with an unexpected creative prompt from frontman Finn: a dream about a fat cat riding a Shetland pony. Acting as a metaphor for the weight of bad habits and self-destructive tendencies, the image became the foundation for the album's visual identity and evolved into a narrative that carried across every stage of the rollout.

The objective was to create a distinctive and cohesive visual universe that reflected the band's personality, while supporting the storytelling behind the album through illustration, symbolism, and world-building.

Services:

  • Illustration

  • Album Artwork Design

  • Vinyl Packaging Design

  • Merchandise Design

  • Tour Poster Design

  • Creative Direction

The Challenge: Develop a visual identity that could support an extended album campaign while remaining flexible across multiple formats and releases. The artwork needed to feel memorable, character-driven, and uniquely tied to the themes of Bad Tattoos & Weathermen, while giving each single release its own place within a larger narrative.

The Solution: Drawing inspiration from the textured grit of modern indie rock visuals and the nostalgic attitude of classic British rock culture, I created a series of custom illustrations centred around the recurring horse-and-cat characters. The initial artwork established the visual language for the campaign, introducing a sun-drenched, surreal world filled with texture, character, and symbolism.

This core visual identity was then expanded through the single artworks for It's No Use, Not Blue, So Sweet So Sublime, and Love.

Each release revealing new pieces of the story, and building upon the established world.

As the campaign grew, the illustrations were adapted across merchandise, creating a cohesive transmedia experience that extended beyond streaming platforms.

The visual identity continued to evolve through promotional assets, including the New Zealand leg of the Bad Tattoos & Weathermen tour.

For the tour poster, I revisited the established artwork and introduced a bold orange colour palette inspired by the It's No Use single artwork. The original illustrations were recoloured and reworked, while the hand-drawn typography was retained to preserve the campaign's personality. Clean supporting type was introduced for improved hierarchy and legibility, creating a fresh interpretation of the existing visual language.

Results

The finished campaign transformed a single dream-inspired concept into a fully realised album universe spanning artwork, merchandise, packaging, motion design, and live promotion.

By developing a strong narrative foundation and consistent visual language, the project created a recognisable identity that accompanied the band throughout the album rollout while giving fans multiple ways to engage with the world surrounding the music.

This collaboration demonstrates the value of long-form visual storytelling within music branding, where a single concept can grow into an expansive creative ecosystem across physical and digital touch points.